Carnivalesque Films

Carnivalesque Films brings together stories united by a raw, startling sensibility of disruption and celebration, where excess and transgression percolate in everyday life.

What is Carnivalesque Films?

Carnivalesque Films curates stories united by the raw and startling sensibilities of transgression, spectacle, and variations of truth and falseness. Named for Carnival, a celebration where societal norms are turned on their heads and excess and transgression rule the day, Carnivalesque Films seeks to disrupt a viewer’s most cherished beliefs in unexpected ways. Visually kaleidoscopic, they mash together wildly contrasting styles and jarring images, intentionally violating accepted rules of perfect cuts, standard lighting, and conventional storytelling. In real life, people behave irrationally, succumbing to madness or self-destruction in pursuit of dreams and desires. Carnivalesque Films acknowledges these dreams and desires by exploring them as literature from the character’s point of view. Our collection of films are told in fresh, open-ended ways without telling viewers what to think.

What does “carnivalesque” mean?

Mikhail Bakhtin, a Russian literary critic, coined the term “carnivalesque” in a book he wrote in 1968 titled “Rabelais and His World.” Bakhtin lived under the Soviet rule of Stalin who prohibited open critiques of authority (in fact, Bakhtin was arrested for doing so in 1929; he spent ten years in exile). Bakhtin resorted to a poetic means of telling stories that focused more on lyricism, literature and laughter as strategies of resistance. He emphasized plural voices and unusual approaches instead of typical “liberal or conservative” points of view so prevalent in today’s films.

Where can our collection of films be found?

Our films can be found on CarnivalesqueFilms.com, Amazon.com, BarnesAndNoble.com, BestBuy.com, Borders.com, CircuitCity.com, Netflix.com, BlockBuster.com and in almost all retail outlets. If you’re local video store doesn’t have copies, please ask them to contact us and we’ll send copies right away!

Who are we?

David Redmon and Ashley Sabin are rugged filmmakers lost in pursuit of their own irrational dreams.

Are you two crazy? With the recent indie companies going out of business, why did two filmmakers start a distribution company?

Inspired by our predecessors (Albert and David Maysles, Barbara Kopple, Fredrick Wiseman), we decided to forge ahead out of respect and love for visual stories by creating paths to release our films. As filmmakers ourselves, we understand the desire, tenacity and attachment to complete a film and bring it to audiences. We believe we’re in a unique and lucky position to find homes for films as well as facilitate their movement into the marketplace of images in ways that make them stand out.

How do you approach distribution?

Carnivalesque Films approaches distribution one day at a time, focusing on the ethics of commitment, hard work, and small moments of intimacy combined with skill and heart so films can live full and deliberate lives. As filmmakers, we understand the joys and pains of making films and therefore our empathetic approach is “by filmmakers for filmmakers.”

Are you two really “independent filmmakers/distributors?”

We think of ourselves as “dependent” filmmakers and distributors instead of “independent.” In truth, no one does it alone. We (and other filmmakers and distributors) are dependent on organizations to secure screening venues, donate their time and energy, create an audience, and offer a much needed social and psychological support network for everyone involved in the complicated world of storytelling and distribution.

How can I help bring your films to audiences?

Simply send us an email and let us know what you have in mind. I’m certain we can work out a solution. David Redmon and Ashley Sabin: carnivalesquefilm@gmail.com. You can also join our Myspace, or Carnivalesque Films on Facebook

ABOUT US

David Redmon began his filmmaking career with the documentary Mardi Gras: Made in China. It is during the production of Mardi Gras: Made in China that Ashley Sabin and David Redmon met and continued collaborating on Kamp Katrina, Intimidad and Invisible Girlfriend. Both Redmon and Sabin are currently completing two more documentary projects Darlings, and a film whose title has yet to be determined.

A year ago with greater aspirations for the life of their films Sabin and Redmon started the distribution branch of their production company Carnivalesque Films. Carnivalesque Films now distributes all of their productions and also other gems including, Orphans, Manhattan, KS, Holy Modal Rounders: Bound to Lose, The New Year Parade, and Woodpecker.